I set up this composition so that the objects are almost at eye level. It gives them a somewhat dramatic cast, I think. I’ve got work to do, obviously, but it’s a pretty good start. Back for more tomorrow!
I spent the afternoon painting this pleasant view of Cordell Avenue in Bethesda, Maryland. Cityscapes are, for me, the most challenging form of plein air painting. First, you’ve got to get your perspective right. Second, it’s a drawing challenge: there are lots of machine-tooled, symmetrical objects with sharp edges and perfect corners (buildings, cars, windows), and it takes lots of concentration to draw them correctly. Third, composition is a challenge: how do you pick a focal point when there are so many interesting things to see? Fourth, there’s a ton of detail, and even if you omit 80% of it, there’s still a ton of detail. But the upside is that it’s never boring, and I never lack for company — well-wishers stop by my easel all day long.
My back has been too sore for me to drive safely, so I’ve been walking to nearby spots to paint. In this case, I was trying to highlight the bend in the road in the top-left, but I also wanted to include the car because it’s just plain fun to paint cars. The trouble with cars, though, is that they always drive away. True to form, this one poofed before I’d finished it. I did my best completing it from memory.
I was driving by this tree a couple days and came to a screeching halt. I just had to paint it! It’s been pruned in somewhat odd ways, creating some unpredictable lighting patterns. It may not be the best choice of subject, but I don’t care — it was fun to paint. I’m not sure I’m done with this one yet.
When I started this painting, there was a car parked on the left side of the road, but of course it drove away after an hour. I may park my car on the road tomorrow so that I have a model to paint.